Seven Seas Magazine

March 2003 Issue - Essay # 5

 

Sarees and Slingback Shoes

By Mona Dash

 

 

It was raining in . Lazy rain, this London rain. The bus moved slowly, more slowly than usual. From the top deck, I watched people crossing the roads in long coats, the women with bright pashminas--red, coral blue, deep blue, scarlet, (but never any sunshine yellow) tied around the neck. All the sights and signs of a cold country.  

And here was I, two days old in London. Not too well, even adequately dressed: mules with chunky platform heels, which I had bought in Thailand, my blue jeans, an orange pullover and my black leather jacket. I had never worn shoes when I was in India--I didn't own a single pair. The cold wind seeped through my feet as I got down from the bus and walked up the road.  

I looked down at my feet and the tall boots some women walked in--black leather, snakeskin, short heels, high heels, sports shoes--a world of shoes. Some looked at my mule-clad feet as they moved amidst the boots, and then quickly at my face as if to understand what kind of a person would wear mules in weather like this.  

I wanted to tell them that someone could, someone would if they had grown up in the heat of the sun, used to wearing flowing clothes which do not stick to the body and its curves, but hide all the tyres on the stomach and the largeness of the thighs. They would wear open slippers bought from roadside shops for 100 Rupees only, black with a flowered strap on it, easy to slip on and slip off--often when you entered people’s homes or God's temples.  

I imagined the tall woman in front of me trying to take off her knee-length boots, zipped at the sides if she walked into the Shiva temple near my house in India. She would struggle for a while, realize she could not sit down on anything and peel off the boots, maybe she would lose patience and not enter the temple after all.  

But I would go in, even if I ever bought one of those tall Faith boots one day. I would enter the temple, struggle with my shoes standing up, pull off one and then the other, and finally shake them off.  I would go in like I used to when I lived in India and watched her--Savitri.  

She would be immersed in her surroundings, carefully selecting the coconut she would buy for the 'puja', making sure it was a good one which she could use at home later--but only for the vegetarian dishes. A coconut used as 'prasad' for the God could not be cooked with the fish.  

She never noticed that her waist had long since disappeared, that there were folds now appearing over the tightly tied petticoat. The folds would show stretch marks, too: silvery lines, spidery, sometimes thick. Her sari would sometimes be tied in a hurry, above her ankles, but as long as she was covered she did not mind. Sometimes she did not know that she wore a green blouse with a brown saree--the colours discordant and clashing--and she would walk to the altar, stand in the crowd and fold her hands. She would offer the incense, the prasad, pray for her family, and go back home, to reheat the lunch and serve it in time for her husband and children back from school. No questions, no demands, never wondering why she did this, instead of thinking once about herself.  

I used to go to the Chidambaram temple in Chennai sometimes. In the centre of the courtyard was the altar of the main deity, Lord Shiva. The Shivaling was washed, worshipped and begged to render many a miracle; whether it was to find a good husband, a son to pass his exams, the husband to get a pay rise or her grandson’s fever to get cured. 

The smaller temples stood circling the main structure, the Naba graha (Nine planets), who could choose to bring ill luck or fortune to whom they smiled on--a small Goddess Kali, Lord Ganesha, they all smiled benignly, and accepted the 'sindoor', the 'chandan', the incense everyone placed in front of them without restraint. Here there was no semblance of order or politeness; blind faith, commercialism, noise and mysterious beauty lived as one.  

I watched her act her sacrifices and prayers in the temple. Sometimes she walked around the main deity very fast, counting her steps. Once, I had seen her rolling on the floor, round and round, all round the three-metre diameter of the altar. She had her hands folded and rolled on, not caring if her saree went up her knees or thighs. But others would stop by, gently pulling it over her, step out of her way, and carry on. No one batted an eyelid, they remained unfazed for this was usual.  

I would sit on the wide veranda overlooking the main altar, behind the huge column, looking at them, my countrywomen. They looked at me, sitting in my striped shirt and jeans. Perhaps they thought I was a college girl, but I could could have told them they were wrong. Some of them would perhaps be younger to me, but had learnt to think old. I wasn’t sure why I felt like an onlooker there, why I watched all this with curiosity when I was also a part of it, when I had seen this all my life.  

But looking at Savitri, I had known that I could never become like her. Armed with a few lessons, she started on her life. Taught to sacrifice, to suffer, to pray and fast for her husband. She had no other way I felt, no other options but hope that her devoutness would keep her family together.  

I had to know my options; not believe that women were born with the intent to hold a home together, that it was all that mattered. So I had moved on. Away, further away. Away from the temples, the familiarity, the colour that was India.  

In this city which I live in now, I still have my habit of watching. And I can see that here, women laugh, jog in parks, they ride horses, they go swimming in the sea in the summers and ski in the winters. They plan holidays, learn combat sports if they want, have children if they want. They have no fetters to bind them, none inherited as someone's aunt, someone’s daughter-in-law, someone’s wife. They ask for their rights, and they get them. Jane, my neighbour, walks down escalators with her week-old baby boy held on her front, and a large backpack on her back, sometimes alone, sometimes with her boyfriend. She had no model of virtuousness to live up to, she doesn’t need to be a 'Sita.'  

Watching Jane, I have learnt to put on my boots and walk straight, shoulders squared, tummy tucked in. I have learnt to walk fast, look up at people and smile as I walk past, to look down at menus and order what I want to drink with my meal. I have learnt to go for a walk, a jog in fresh green parks, hair in a headband. Now I can tell my colleagues, "Let’s get a drink after work," knowing that for some of my countrywomen in India, a glass of Lager is still taboo, or to be had out of sight of any elders.  

And one day, months after my walk in Trafalgar Square on that cold rainy London day, when I went to my gym, I threw aside my Indian shyness and walked naked to the showers like the others, I knew I had  indeed walked some distance away.  

I also see that Jane is always trying to look good. The shop shelves advertise yet another hair colour to streak her hair, yet another sale of high slingback shoes and petite smart tops on hangers. Take me, they scream, look good or be forgotten--and she falls for it. She is a slave as well, and I feel sorry for her when I see her bondage. I remind myself of Savitri, who knew she was worth more than what she looked on the outside.   

So somewhere in between the sarees and slingback shoes, between Savitri and Jane, there exists someone called me. Thinking, watching, wondering, trying--loving both, learning from both and hoping I don't fail either.  

   

 

Author's Biography

I am an Indian, currently living in London and plan to continue doing so. I work for a software company in business development. 

I have published a collection of poems in India, called "Dawn Drops."

E-mail Mona at dash_mona@hotmail.com

 

 

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